{"id":4933,"date":"2025-05-09T10:01:38","date_gmt":"2025-05-09T10:01:38","guid":{"rendered":"https:\/\/ofero.news\/?p=4933"},"modified":"2025-05-09T10:01:38","modified_gmt":"2025-05-09T10:01:38","slug":"lee-millers-romania-works-of-trailblazing-photographer-go-on-display-at-king-charles-iiis-house-in-viscri","status":"publish","type":"post","link":"https:\/\/ofero.news\/?p=4933","title":{"rendered":"Lee Miller\u2019s Romania:\u00a0Works of trailblazing photographer go on display at King Charles III\u2019s House in Viscri"},"content":{"rendered":"

A landmark exhibition of works by the iconic photographer and war correspondent Lee Miller<\/strong> has opened at The King\u2019s House in Viscri, in central Romania\u2019s Bra\u0219ov county.<\/p>\n

Titled Lee Miller\u2019s Romania<\/em>, the exhibition is billed as \u201cthe most extensive presentation of her work ever held in the country.\u201d<\/p>\n

Miller, the war photographer and muse of the Surrealists, traveled across Romania in 1938 and again in 1946, documenting village life, forgotten rituals, and historical personalities at turning points in the nation\u2019s history.<\/p>\n

On her first visit, she was accompanied by surrealist artist Roland Penrose, folklorist Harry Brauner, and artist Lena Constante. On her second trip, she was joined by Life magazine photographer John Phillips.<\/p>\n

\u201cHer images \u2013 vivid, technically exceptional, and deeply human \u2013 offer a unique, unfiltered look at Romania before and after World War II, capturing a country on the edge of profound political and cultural transformation,\u201d a presentation of the exhibition reads.<\/p>\n

\u201dWhen Lee Miller and Roland arrived in a large Packard car with money to buy fuel and food, cameras and lots of film and the desire to see rural Romania, this was for Hari a surreal coincidence he could not resist. Miller and Penrose were acutely aware the Nazis were power mad and a war was coming. They knew Romania to be rich in oil, food, and other resources the Nazis would want, and they rightly predicted the country would be overrun. They wanted to see as much as they could before this happened and help Hari record the old ways before they were swept away by the tide of war,\u201d Antony Penrose, Lee\u2019s son and co-director of the Lee Miller Archives, explained.<\/p>\n

Musicologist Harry Brauner and Romanian folk-singer Maritza, [Maria L\u0103t\u0103re\u0163u] in Bucharest, 1946\u00a0by Lee Miller (529 M54 405)\u00a0\u00a0 – \u00a9 Lee Miller Archives England 2025.<\/em><\/p>\n

This comprehensive selection of 46 images includes photographs from Miller\u2019s travels, capturing customs and communities that were largely unknown at the time, as ethnographers were only just beginning to research them and bring them to public attention.<\/p>\n

\u201dThe most wonderful thing about Miller\u2019s images of Romania in 1939 is the way she captures the innocence of the moment. Being a woman made her less threatening than a man, and she used a Rolleiflex camera, which she operated at waist level, so it was much less confrontational than the sort of camera you have to hold up to eye level,\u201d Penrose adds.<\/p>\n

Also on view at the King\u2019s House in Viscri are her portraits of Queen Mother Elena, King Michael I, Iuliu Maniu, and Dinu Br\u0103tianu, some of the last ever taken before these figures were removed from the spotlight under the communist regime.<\/p>\n

\u201dWe are truly delighted to host this photographic journey through 1940s Romania, captured by the exceptional photographer Lee Miller. This exhibition resonates and enriches on multiple levels \u2014 from the emotion of rediscovering a Romania that is utterly authentic, diverse, and surprising, documented at a historically pivotal moment in its evolution, to the fascination and inspiration sparked by the extraordinary life of this remarkable woman. Lee Miller was a fighter \u2014 a woman who broke taboos, lived boldly and fully, and who, through each frame, invites us to look at the world with courage, openness, and truth,\u201d Raluca Grigore, The King\u2019s House exhibition curator, says.<\/p>\n

\u00a0The King’s House in Viscri \u00a9 Cristina Bobe<\/em>\u00a0<\/p>\n

Miller began her career as a Vogue model before turning to photography under the mentorship of Man Ray. During the Second World War, she gave up fashion photography and became a war correspondent, a role previously denied to women. She documented the advance of the US army across Europe after the Normandy landings, including the liberation of Paris and the horrors of the concentration camps at Buchenwald and Dachau. One of her most famous images is the staged photograph created with David Scherman, published in Life<\/em> magazine, in which she is seen bathing in Hitler\u2019s bathtub in Munich.<\/p>\n

The images exhibited in Viscri are part of works rediscovered after her death, with their subjects identified with the help of Romanian experts, including Dr. Adrian-Silvan Ionescu (Institute of Art History), Ioana Popescu (Romanian Peasant Museum), and Paula Popoiu (Dimitrie Gusti National Village Museum), at the request of the Lee Miller Archives.<\/p>\n

The exhibition will remain open to the public until August 10, 2025, in the venue\u2019s exhibition barn.<\/p>\n

(Opening photo:\u00a0<\/em>Dancing bear with gypsy trainers, Romania 1938\u00a0by Lee Miller (R0285) – \u00a9 Lee Miller Archives England 2025)<\/p>\n

simona@romania-insider.com<\/em><\/p>","protected":false},"excerpt":{"rendered":"

A landmark exhibition of works by the iconic photographer and war correspondent Lee Miller has opened at The King\u2019s House in Viscri, in central Romania\u2019s Bra\u0219ov county. Titled Lee Miller\u2019s Romania, the exhibition is billed as \u201cthe most extensive presentation of her work ever held in the country.\u201d Miller, the war photographer and muse of […]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4933","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/ofero.news\/index.php?rest_route=\/wp\/v2\/posts\/4933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ofero.news\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ofero.news\/index.php?rest_route=\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/ofero.news\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4933"}],"version-history":[{"count":0,"href":"https:\/\/ofero.news\/index.php?rest_route=\/wp\/v2\/posts\/4933\/revisions"}],"wp:attachment":[{"href":"https:\/\/ofero.news\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ofero.news\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ofero.news\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}